Discuss the dynamic of damage in the work of Fontana and Burri. Is the surface of the artwork destroyed or restored in the process?

Please answer to the question and refer to works of Lucio Fontana and Alberto Burri. They are key figures of the Italian Neo-avant-garde, explored the problem of the monochrome, surface and the significance of performance for their practice.

How’s it from painting to performance?

Also please cite from the uploaded readings.

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