Seev Jones Ben art video at the Moca museum
One of the most sought after artist is Seev Ben Jones. He is modern-day artists whose work makes spectators delighted. He uses technology to create lopsided pieces of art that he displays on immersive video connections using color popping. He creates art with oddly related pieces that are neither cartoons acid trip nor Macintosh abstract expression. He is a contemporary LA artiste who works with the network of Cartoon programs and museums. Viewers are always enticed to see more of his works. The show at Moca Pacific Design Center was good news for his viewer.
The show, which was named; the Ben Jones: The Video changed the space at PDC into a daily Jonnies happy world. He had always wanted to be part of the exceptional professional imaginative business of animation studios (Benedetti 65). The video at the museum was his first solo debut at the west coast that featured many of his new creations. He had moved to LA in order to increase his chance of being a renowned artist.
He also wanted to live in Topanga and create earth art, or enjoy the simple life that space and beauty can provide to trigger his inner abilities to sit with deep thoughts and paint. To him, MOCA was a true replication of his LA lifestyle of giving back to the world. He also wanted to be part of contemporary creative dialogue that was taking place then. From the time he arrived in LA, he continued to create animation each day. As part of the preparation for the show, he took all the animation and split them into things he wanted to investigate and compliments. The show was about qualities of a video such as sequential, dynamism and cinematic. Filmmakers such as Kubrick and artist such as Duchamp inspired his experience at the Moca. Using their experiences, he wanted to explore the intersection between film, art, and culture has a picture-perfect meeting place at the MOCA PDC (Benedetti 56).
He believed the ideas get better every time they are redone in diverse forms and mediums. Jones believed that the themes that survived the diverse executions could be resilient and pure. He even quipped properly that may be in ten years his style, ideas, art would refine into just a splash of neon green paint with some eyeballs that would make a farting noise and may be cost a million dollars.
Work cited
Benedetti, Joan M. Art Museum Libraries and Librarianship. New York: Scarecrow Press, 2007.
312 pages.
